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Motherjane releases new single online
Internationally acclaimed Indian rock outfit Motherjane has released their latest single No Contest online, exclusively for fans. "This song is from a society dangerously short on idealism and waking up to the fact that being 'sophisticated' about the situation is getting us nowhere," explains an official release from the band.
Motherjane, which last released Jihad, a track tied-in with the promotions of Amal Neerad's Malayalam feature Anwar (2010), has borrowed from myriad sources ranging from George Bernard Shaw to one whom they call the 'most unreasonable citizen in our country' -- Anna Hazare. "No Contest is dedicated to today's global citizen who seeks a system of governance that places its people 'right up there'; to the common dream of living in any country with simple laws where public servants are investigated for unaccounted wealth before renewing their 'right' to police its constituents; where all such wealth is confiscated and utilized to pay well deserved salaries to other officials who may then be tempted to put in an honest day's work for the rest of their career. The more we look at the si
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Motherjane: Progressive Rock’s Guardian Angel
A nostalgic retrospective of Motherjane’s sounds while it steered the mother ship of Carnatic rock in India.
“We have noticed our songs have come to include elements and melodies of rural India and at the same time has the aggression of rock”, says now ex-vocalist Suraj Mani in a documentary that was released in 2009, only a year before the band began to undergo a conscious reengineering. Often sighted at live performances with half of their faces painted with Kathakali and Theyyam dance designs, the band has stood to signify their ‘half flesh, half spirit’ beliefs, which in many ways, have viscerally sculpted their music over the course of nearly 18 years.
Kochi-based Carnatic rock band Motherjane, formed in the early months of 1996, has been one of the country’s oldest bastions when it comes to rock music. Known for its distinctive overtones of Carnatic rhythms interlaced with indefatigable hard rock, the band was one of the few forerunners who envisioned a link between the revolutionary idea behind ‘rock’ music and Indian traditions that had wired them from within as individuals. The concoction was an unparalleled offering.
Ironically, the story of Motherjane’s coming into being was not one guided by a master plan. It