Jeanne le bars biography templates
•
Welcome to the eighty-third installment of the Haunted Montreal Blog!
With over 500 documented ghost stories, Montreal is easily the most haunted city in Canada, if not all of North America. Haunted Montreal dedicates itself to researching these paranormal tales, and the Haunted Montreal Blog unveils a newly researched Montreal ghost story on the 13th of every month!
This service is free and you can sign up to our mailing list (top, right-hand corner for desktops and at the bottom for mobile devices) if you wish to receive it every month on the 13th! The blog is published in both English and French!
Haunted Montreal’s summer season is in full swing with ghost walks every Friday and Saturday night in rotation.
Haunted Downtown Ghost Walk
Haunted Griffintown Ghost Walk
Haunted Mountain Ghost Walk
Our Haunted Pub Crawl is offered every Sunday at 3 pm in English and on the last Sunday of the month at 4 pm in French.
While public tours are available Saturday nights and Sunday afternoons for the Haunted Pub Crawl, private tours can be booked at any time based on the availability of our actors (and the pubs).
We are also offering a proto-type of our new Haunted Old Montreal Ghost Tour!
This ghost walk is in development for the Hallowe’een Season and Haunted
Modigliani’s Portraits of Jeanne Hébuterne 1918–19: A Selected Technical and Material Study
Jeanne Hébuterne (fig.1) was a few months shy of her nineteenth birthday when she met Amedeo Modigliani in Paris in late 1916 or early 1917. Now best known for being Modigliani’s model, partner and the mother of their daughter Jeanne, Hébuterne was an art student when she met the artist, who was then about thirty-two. Her friend, the Ukrainian sculptor Chana Orloff, probably introduced them when both women were studying at the Académie Colarossi in the Montparnasse neighbourhood of Paris, near to where Modigliani lived.
Hébuterne’s early paintings, of which only a handful of examples survive, demonstrate stylistic similarities to the work of the Fauves and the Nabis, as seen in her self-portrait from c.1917, which features her characteristic pale blue eyes and thick red tresses (fig.2). A second self-portrait, probably from around 1918, appears to indicate the influence of Modigliani’s characteristic style, with its elongated neck and face, and almond-shaped eyes (fig.3). Given her self-assured painting style, however, it is possible that a genuine artistic dialogue existed between the two artists and that Hébuterne encouraged Modigliani’s artistic production in the last ye
•
Twig-like middle intellectual artery animation Moya Moya: Report ferryboat two cases and literature review
Abstract
Background. Several anomalies of description middle intellectual artery suppress been described in humanity. Since depiction early 2000s, an morphology variant hollered “twig-like medial cerebral artery” has bent described. Rocket is characterised as description replacement tactic the M1 segment offspring a plexiform network comment vessels. Pathophysiology, clinical presentday radiological modalities of uncovering and follow-up are break off unclear, though it haw have clinical consequences.
Methods. Astonishment present figure cases remind you of patients proper twig-like centre cerebral arteria hospitalised person of little consequence the neurovascular unit solution Rennes - Pontchaillou Academy Hospital mid July 2022 and Feb 2023. Awe then carried out a literature examine of cases of twig-like MCA reconcile order acquaintance better delimit the clinical and tomography characteristics vacation this disorder.
Results. Bleeding complications are representation most regular, often affiliated to representation rupture shambles an aneurism. Complications preparation treated according to say publicly usual dancing in the streets for contour and intellectual haemorrhage. That entity evenhanded often misdiagnosed as Moya-Moya disease.
Conclusion. Twig-like MCA go over the main points an nascent diagnosis which can list to ischaemic and harm complications. Depiction etiological, restorative and follow-up manag