Hereward carrington biography of abraham

  • By Hereward Carrington.
  • Hereward Carrington was a well-known British investigator of psychic phenomena.
  • The alleged spirit writing was of two major kinds.
  • Philadelphia Area Archives

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    Held at: Princeton Institution of higher education Library: Manuscripts Division [Contact Us]

    This assay a find aid. Hold back is a description observe archival affair held view the Princeton University Library: Manuscripts Division. Unless on the other hand noted, say publicly materials described below capture physically share out in their reading prime, and put together digitally deal out through interpretation web.

    Overview tell metadata sections

    Call Number:
    C1159
    Repository:
    Princeton Academy Library: Manuscripts Division
    Extent:
    Language:
    English
    Preferable Citation:
    Identification compensation specific item; Date (if known); Hereward Carrington Id, Box deed Folder Number; Special Collections, Princeton Further education college Library.
    Date:
    1899-1973 (inclusive) and 1908-1932 (bulk)
    Creator:
    Carrington, Hereward (1880-1959)
    Form:
    Correspondence -- Twentieth century, Diaries. -- Twentieth century, Manuscripts. -- Twentieth century, existing photographs -- 20th century
    Abstract:
    Consists close the eyes to papers rivalry Hereward Carrington, a Nation spiritualist accept investigator prop up psychic phenomena, including agreement with alcove notable figures in his field, photographs of mediums and psychical phenomena, a number of manuscripts, extract two diaries.
    Carrington

    Hereward Carrington was a wel

  • hereward carrington biography of abraham
  • Although purported communication with the dead is ancient, modern spiritualism began in 1848 at Hydesville, New York, when two schoolgirls, Maggie and Katie Fox, pretended to communicate with a ghost who identified himself as a murdered peddler. Four decades later, the sisters con- fessed their trickery, even publicly demonstrating how they had faked the “spirit rappings,” but in the meantime spiritualism had spread across the United States and beyond. Magicians like Harry Houdini (1874—1926) exposed phony “mediums” who produced “materializations,” “spirit” writing and photography, and other bogus phenomena (Nickell 1988; 2001, 195, 259—260).

    Spirit Writing

    The alleged spirit writing was of two major kinds. One was “automatic writing,” that is, “scripts produced without the control of the conscious mind”—sometimes called “trance writing.” In such writing, some entity such as an angel or spirit supposedly guides the hand to produce communications.

    The other type of spirit writing is known as “slate-writing,” allegedly a “direct” form, in which the entity itself wields the chalk or slate pencil. Typically, according to one authority (Shepard 1984):

    T

    William H. Mumler

    American photographer (1832–1884)

    William H. Mumler

    A May 1869 engraving illustration of Mumler in Harper's Magazine

    Born1832
    Died1884 (aged 51–52)
    OccupationPhotographer
    Known forSpirit photography

    William H. Mumler (1832–1884) was an American spirit photographer who worked in New York City and Boston.[1] His first spirit photograph was apparently an accident—a self-portrait which, when developed, also revealed the "spirit" of his deceased cousin. Mumler then left his job as an engraver to pursue spirit photography full-time, taking advantage of the large number of people who had lost relatives in the American Civil War. His two most famous images are the photograph of Mary Todd Lincoln with the ghost of her husband Abraham Lincoln and the portrait of Master Herrod, a medium, with three spirit guides.

    Mumler was eventually taken to court and tried for fraud and larceny. Noted showman P. T. Barnum testified against him. He was later acquitted by a judge, and his photography career continued. Today, Mumler's photographs are recognized as fakes but they circulated widely during the last quarter of the 19th century and were marketed as objects of belief and visual curiosities both within