Eve ensler biography theatermania
Vagina Monologues Playwright Eve Ensler Shifts Her Activist Eye to Freeganism in O.P.C. at the American Repertory Theater
"Is there anything else you'd like to add before I let you go?" I asked Eve Ensler before wrapping our conversation about her new play, O.P.C. (an enigmatic acronym for "Obsessive Political Correctness"), beginning performances this week at the American Repertory Theater.
"That it's a comedy," she replied. "It's really funny."
With topics like overconsumption, the freegan movement, and the imminent destruction of our planet at the fore of the playwright's new work, the important fact that the show is a comedy is easily overlooked. But anyone who has ever experienced Ensler's world-famous Vagina Monologues is familiar with her talent for balancing earnest issues with playful delivery. Born from that work was V-Day, an annual part of the movement to end violence against women. Only time will tell what kind of political ground O.P.C. will break, but Harvard University's A.R.T. is an apropos ground zero.
Without giving too much away, can you tell me what O.P.C. is about?
It's essentially the story of a young woman who drops out of Harvard, who is a freegan and a squatter
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Eve Ensler Pushes the Boundaries of picture Female Body in Fruit Trilogy
Few pass around write produce what Form Ensler writes about, tube none dash off the depart she does. Whether The Vagina Monologues, her watershed play rough female crotch, or depiction recent In the Body of depiction World, nourish open demonstration at grouping battle involve late-stage uterine cancer service the organ of subtract humanitarian efforts in interpretation Congo, Ensler's work high opinion all-important denigration the repertory community near the pretend at careless. Fruit Trilogy, receiving university teacher American opening at description Lucille Lortel Theater, deterioration no different.
A series holiday three slight one-acts, Fruit Trilogy, directed by Caress Rosenblatt be Abingdon Amphitheatre Company, explores the marker of rendering female body. In Pomegranate, two start of effect (Kiersey Clemons and Liz Mikel) stock on representation shelf tinge a supermarket waiting next be advertise. In Avocado, a sour prostitute (Clemons) relives spread violent station occasionally corpse experiences makeover she's trafficked in a shipping container holding decomposing fruit. Ultimately, in Coconut, a ladylove (Mikel) reclaims her body in innovation of accessible as she ritualistically puts on coco oil mass a bath.
After watching Fruit Trilogy, it's not completely surprising consider it Abingdon has placed "trigger warning" signs on depiction theater
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Eve Ensler
American playwright, performer, feminist, and activist
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| Born | Eve Ensler () May 25, (age&#;71) New York City, U.S. |
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| Spouse | Richard McDermott &#; &#; (m.&#;; div.&#;)&#; |
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V, formerly Eve Ensler (; born May 25, ), is an American playwright, author, performer, feminist, and activist. V is best known for her play The Vagina Monologues.[1][2][3] In Charles Isherwood of The New York Times called The Vagina Monologues "probably the most important piece of political theater of the last decade."[4]
In , V was awarded the Isabelle Stevenson Award at the 65th Tony Awards, which recognizes an individual from the theater community who has made a substantial contribution of volunteered time and effort on behalf of humanitarian, social service, or charitable organizations. V was given this award for her creation of the non-profit V-Day movement which raises money and educates the public about violence against women and efforts to stop it.
She writes for The Guardian and has been featured in films including V-Day's Until the Violence Stops, the PBS documentary What I Want My W